Here is a summary of the trips we have failed to point out during the month of February. For lack of time (too) often. So you can catch up and we even mention that we have some we even missed.
February 1: Tsam - Dumbfounded
February 1: dirty cons - Put yourself smack!
February 1: The insane warrior (RJD2) - We Are The Doorways
February 7: Robert Miles - Thirteen
February 7: Andreya Triana - Far Closer (Ninja Tune)
February 7: Seefeel - Seefeel (Warp)
February 7: Steffi - Yours & Mine
February 8: Esben and the Witch - Purple Cries
February 9: Deerhoof - Deerhoof vs.. Evil
February 14: PJ Harvey - Let England Shake
February 14: Stateless - Assassinations (Ninja Tune)
February 14: Nicolas Jaar - Space Is Only noise
February 21: Stateless - Matilda (Ninja Tune)
February 25: Siriusmo - Mosaik (Monkeytown records)
28 February: Keren Ann - 101
February 28: The Death Set - Michel Poiccars (Ninja Tune)
La Canaille – Par Temps de Rage (La Canaille / L'autre distribution)
The Canaille - Time For Rage (The Canaille / The other distribution)
Genre: Hip-Hop, Rock
Released: February 28
Almost two years. This is the time it took for me to head out of the water after the first "A drop of honey in a liter of lead, heavy with meaning, sound, ambience. Hard to swallow, because the word is slashed, the incisive pen and ideas are dense. The kind of album you listen to from beginning to end, to understand and t'imprégner, but you let also set aside time to catch your breath and to digest the different perspectives. The
Canaille is also and above all, for me, a perspective on the world. Obviously, one does not smile much. You let yourself tell this dark urban poetry and fell on paper by Marc Nammour. Understand that "In times of rage" was not an easy task. Finally there plunges fairly well, and everything starts from scratch with a few notes and this beat already very heavy. The lesson started after a few seconds. Overall, the topology of the album is not so different from the first. It oscillates between the stories we tell MC ("Party locations," "The Dragon", "The water is rising"), where one begins in the mouth the lyrics blacks, sagas that go wrong and that describe a troubled lives but real.
interest of the album is there: listen to what one does not usually, what happens when the faces under the masks have fallen, and when the actors engage them- same. "In times of rage" thus describes the daily hidden that we do not want to see. Hence the difficult access to the albums. Other topics enchainent So, speaking as a "Uprising, which will take place, that the difficult understanding of" Anger ", untamable and closing the album:" But if I contain, if I dominates / If I make it my ally, hidden under my chest / It's amazing the strength that emanates from his tub / When it is legitimate and that defies the lamb the wolf. "
All this is explained in "My poetry does not wash," and in "I put in," and more text on current generation 70/80. And it is certainly because his generation "jaded has seen nothing glorious," that "My line of sight "Is an ode to simplicity. "A pair of jeans, sneakers, or necktie or straw / Rest easy in my head / That's life I chose." It continues with the feelings so real "Too easy", which describes a hypocrisy room, cooking in your apartment, even in the highest spheres of government.
is why we do not emerge unscathed from an album of the rabble. Unable to forget Mathieu Lalande (guitars, keyboards), Walter Pagliani (bass, bass, keyboards) and Nicolas Rinaldi (scratches), complementing the band and make the album seem so dense and powerful. Besides a few guests instruments, we also note the presence of U.S. rapper Napoleon Maddox on two tracks.
"Time For Rage thus realizes the work of a good columnist inspired storyteller of a generation too often disappointed and to its decor. You can not pass this album in the evening to address the audience. One ear listening and alert the senses with a good dose of humility before the show some time later. Just to see if things have changed.
What a good news! Wagon Christ returns to service, machine control and samples chelous for a new album in March. And if I did not say stupidity, the latest installment goes back to 2004 anyway. In any case under this nickname, as Wagon Christ Luke Vibert is. And meanwhile, the man has not been idle.
Whoever is in place at Ninja Tune for 10 years now also seems to have lost none of the identity Wagon Christ. That is certainly the impression given by the first two pieces (below), "Manalize This! "And" Mr. Makatsuku. Me, I left off the last album, "Sorry I Make You Lush", but now I hear makes me more like his first "Tally Ho! '98.
In particular the first 30 seconds of "Manalize This! "These weird samples, with these voices softies, pitchées, expedited, crushed in all directions before the crash. And this beat, breakbeat, in fact, syncopated and elastic, which are outbid on these votes, then point Electronic punches. Wagon Christ royally hammered on the first song already terrifying.
The man has lost nothing and throw yourself body and soul on "Mr. Makatsuku. At the outset, the voice of announcer called "ladies and gentlemen," punctuated by "hurry go" before the listener is bored on this chialerie mail. Finally, it is beautiful, tame it before you run smack shots because it mixes disco, electro, breakbeat and acid strange. And it's damn well made. What a slap!
I can not conclude without a word on the cover, made by artist Celyn, futuristic in concept but so finally today.
This news is not really about the release of a new album but still worth your attention. The pair mi-dieu/mi-humain electronics Autechre released April 11 a box "deluxe" CD consisting of five of the eleven EPs the group released between 1991 and 2002.
A total of 47 tracks with 3 videos, all in an ultra-class packaging. For those not familiar with Autechre, describe their music I will be quite complicated, even impossible, as it is unique, vibrant, complex ... Autechre's music is a bit of an entity by itself that I urge you to Discover (preferably with headphones !).
So if you do not have the EP group or if you do not already know the pearls qu'Autechre has produced since the beginning of his career is a good reason to pounce.
I do not know how many copies will be produced the pack but I would soon be too if I were you. In addition it is proposed to a pretty cool prize (35 euros bleep.com) and even if you do not receive until April, you can download sounds in WAV and MP3 immediately. So as not to lose!
It's been a while since I saw "Pigeon John" flying everywhere. Finally, the album is approaching for the next month, so it's an opportunity to write a few lines. It is fortunate, several pieces are already available on the web, including video.
activist for a good fifteen years, the Californian MC has done a great promo before the release of the album. Easy, by paying the services of Franco-American Hervé Salters aka General Elektrik, who co-produced the album. So obviously nothing to do with a big hip-hop to the U.S., no big bass lines or maddening beats. It will include more flashy synths, acoustic guitars and other instruments not bad for a while but really refreshing swing.
course opened significantly on the general public, Pigeon John is paying the luxury of a large volume visibility even before the release of the album. No wonder, even my mother could head movement. The album seems to be a kind of hybrid music, ignoring boundaries. This warm blend of pop and hip-hop is appealing, and finally for the moment anyway. Even
texts are gratifying. We walk in the stories of the MC on the hassles of daily life, smile, since the tone is quite humorous from what I heard. The formula is perfect for radio. "The Bomb" is the best illustration. Pigeon John is simply a kind of classy crooner dipped in a sauce lightly sprinkled with hip-hop.
The general tenor of the album however seems quite sparse. While the majority of titles that I listened to are energetic, "Davey Rockit" contrasts with the genre. MC sings sweetly, before switching into a hip-hop simple and efficient, which is frankly pleased.
It is too early to make a final opinion. Even if it seems to be a success almost assured.
FaltyDL I had left with his first long format "Love Is a Liability " model of rigor, which allowed us to expect a sequel already announced as the most crisp. Indeed, the EP "Bravery " apparently went out and put a slap pretty monumental to those who listened. The test was only put water in his mouth.
And as if that were not enough, the New Yorker Drew Lustman it again with two new EP, "Phreqaflex" and "Endeavour". Meanwhile, fans of the genre were no longer in their chairs, jostled by a musician outsized. So voila!
result, "You Stand Uncertain," in the long format is expected as the messiah by most of us fans. Some of my little brothers even had a chance to listen to it already. And read it all, it does seem that this is one of the major drives of the beginning of 2011.
Until more information, I leave you with "Truth". And above all, a preview of the album's website Planet Mu .
Well, I am met by my discovery of the Day: Norman Palm. Apparently, the group does not seem unknown. Finally, from what I learned, Norman Palm is the singer, accompanied on the next "Shore to Shore" by two musicians.
short, it goes quickly into the heart of the matter, because the album is listening on SoundCloud full and MySpace. Indeed, it is easily carried by this world-folk pop, enhanced by a beautiful voice not necessarily singular. The album itself is relatively equal, though some titles out of the lot outright. The whole is slightly versatile: it ranges from soft music and quiet and more energetic tracks. Not really a story of duality, but I would say complementarity.
"Smile" seems to go on a whirlwind, so it leaves room for a ride yet well measured, returning the ball to "Landslide," the same ilk. Listen Norman Palm strangely with a small grin strange. And it is this: we let ourselves go, caressed by a gentle breeze. This is music to listen on beach, among your friends and a few bottles. Without thinking.
"Easy" is misleading, quickly seems energetic but seems slightly too convoluted, with his little electro synth, broad cloths nauseous, and an underlying rhythm rather special. Everything becomes still quite intoxicating. "Sleeper" as the first "Start / Stop", play the card of seduction, while simplicity.
The favorites are attributed to three pieces that have very little to do. "Images" and "$ 20" are excellent, but nowhere near the superb "Phantom Lover" sort of universal piece and done, through all stages, enhanced by a voice, this time, found a niche for himself while leaving a place yet intelligent instruments.
is hardly the record of the year. But if everyone else could at least have the same level, 2011 will look like a Chateau Margaux The best era.
Scheduled for February 15, the fourth test out solo Beans, once will not hurt, on the Anticon label. Beans has not always been unanimity with his music solo with fans, boasting that they are far from the madness and originality of the big time Antipop Consortium.
So it is true that some titles were missing a few spirited and sometimes leave the listener a little hungry. But personally charismatic flow of the MC has always packed and some instrumentals stick perfectly to the particular phrasing Beans (see clip below).
To return to this next record, Beans was surrounded by a gaggle of sacred invited to accompany him. Side featuring Tunde Adebimpe find it (TV on the Radio) on the track "Mellow you out." But it is mainly the production we will cross a slew of artists, not least! Four Tet, Ade Firth, DJ Nobody, Bumps (Tortoise), Fred Bigot Prolific That Kid, Tobacco, Sam Fog (Interpol), In Flagranti, Son Lux, etc ...
More importantly, the title is likely to wriggle my esgourdes is the last album, "Hunter "Clark signed an instrumental! Yes sir, yes! When I see quality prods Clark, the association with Beans could be downright insane. I unfortunately could not put the ear, but I'm willing to bet that its going to be terrible.
Just for the purchase of this track record should be required ...
is slightly behind that I'm talking about the latest creation of James Blake. Impossible to miss, for several reasons. The first is simple and has all the buzz that has been done around the snowman. A bit like Burial had done some years ago with his "Untrue", still beautiful beyond.
James Blake was therefore on course to repeat the formula and try to disinhibit a bit of dubstep in recognition of the general public. However, Britain's two EPs we weight the end of last year, supposed to announce the color of this album.
is perhaps already the case with - known on the web - "Limit To Your Love" (cover of Feist) James Blake will be remembered. A wrinkled her strangely disconcerting, a few piano notes and a voice that reveals a huge potential in the entire disc. Here we leave aside the airy, free glider and dubstep to store more casual, less subtle, technique, but perhaps more accessible.
I could not listen to the album, but early returns are mixed. Maybe not exactly sharp enough. And that's where the perennial debate between music specialist VS uninitiated resurfaced. After much "we said," but the album is listenable on the web. You will, as usual, the only judge.
I remember when I discovered Agoria: I been smashed. It was with the album "The Green Armchair" sophomore Sebastien Devaud. Titles like "The violins drunk," "Wrong line" or "Like a bull" transported me outright.
Then I went to delusions and disappointments. Already with the next album "Go Fast" flat as possible, then with the compilations "At the controls" and "Balance 016" not necessarily bad, but it's good compilations, this is not very exciting. On top of that, the only live performance of Agoria I could see (the Ososphère) left me unmoved.
And yet I am always interested in what the guy. "The Green Armchair" is so good it is evident that will spawn other hard, if not the same size, at least good enough to make several trips in my deck.
To return to the disk that interests us here, "Impermanence", I must say that my ear stands! The entire album will be listening this week on the link below. Already five titles are available. It includes a production-haired, relatively customizable titles, featuring the interesting (Kid A, Seth Troxler or Carl Craig). Yeah, it seems to do serious.
There are licked Agoria techno. There may be missing the little bit of originality that makes listening a lot "The green armchair," but the sound is good. Particularly "Panta Rei", which begins in a rather classic but leads to delve into the music with its catchy synths and metronomic beats.
More than wait for the other titles to get an opinion on the entire wafer. But it seems a good start. And honestly ca pleasure!
"Because I feel blind ...." They are far, these beautiful words. Time (2008), where Antony Hegarty (of Antony & the Johnsons The) uplifted the title "Blind", which propelled the then neo-group Hercules & Love Affair at the top of the charts and on the front of the scenes dancefloor . Time to put held a "queer" at will, many roamed the lawn while drinking contaminated head and danced in the air, blinded by the disco ball, not seeing the smile of the girl next door and to experience a warm This gorgeous "Blind."
head elsewhere, I say. Immersed in the magnificence of a title which excluded almost de facto the rest of the album. This heartfelt collaboration with Antony gave us legitimately entitled to expect a new album quality. Give us the house, good dance music of 90s, clubbers sweat, electrified the humidity of the cellars, the sharp smell of smoke and ash that the happiness of letting go dancing anyway.
is what I expected from Hercules & Love Affair on the next "Blue Song". A dance-house smell that smells musty. It is a good start with "Painted Eyes", the chant that reeks of homecoming, with its synth-supported, oddly disco, his violins and the occasional voice t'enchante. The formula seems to work again. But the sauce falls quickly, with an album that focuses on only a few titles to emerge from time to time. Nothing really out of the lot, the album is same languid, a tad annoying to not tell the time of a few titles. Even the crickets "Blue Song" leave us in our hunger, without actually entering fully into the subject, if at all.
is "Falling" which we flanks a swig of vodka, pure and gives us hope that the evening is not complete. It flies easily over time of a security brass synthetic burst out laughing: pants' leg ef "shirt and shining. Ready to leave the Pento, immediately placed in the pocket. As the following title, "I Can not Wait", and his glitch-pop-house rather convoluted, it was very difficult to wait for the album, already after a few disappointments.
So "Step Up", which begins over Corona in the soul, which goes almost to reconnect us with the album. Again, this title with guest Kele Okereke, really hard to convince. Remains "Visitor", more electro-futuristic, then resumed Sterling Void, "It's Alright." The problem recurs, it is partially butchered, left unattended on a sidewalk dirty, no rhythm to accompany it. It thus closing an album with the taste of the evening, not missed, but not frankly successful. Damage. Although we will probably return at the next party by Andy Butler and Kim Ann Foxman.
NB: As you can see below, the entire album is listenable on SoundCloud .
Throughout the year 2010, Buck 65 has made four digital EP in the series "20 odd years" and a DVD featuring some of his live performances and a long interview with the artist. This series was his way of celebrating his 20 years in hip hop. 20 years during which Buck constantly evolved and offered a varied music, alternating between joy and melancholy, driven by beats from hip hop to country gross.
Between his first attempts (including "Square" or "Man Overboard") and its most recent disks (such as "Secret House Against the World" or "Location") evolution is evident. I do not say it better is a matter of taste, but it evolves; Buck 65 does not stagnate and constantly renewed. While retaining its identity.
To top this series of PE, Richard Terfry whose real name is about to release an album that gathers many of the titles in the series "20 odd years", plus some unreleased. To accompany him on this anniversary album, the MC has invited his friends to come and push the song. It will include Gord Downie, Jenn Grant, Marie-Pierre Arthur, John Southworth and others. There are even featuring Olivia Ruiz (Buck has long lived in Paris).
In my personal opinion, Buck 65 is an MC you need to know. Whether you're a fan of hip hop or not. His deep voice, his phrasing, his beats, his live performances, daring musical are many reasons to consider her work which may not have always been exceptional, but who at least has the merit of having always been quality and, as mentioned above, has never involved a perpetual repetition of a formula that works.
After 20 years in hip hop and its twenty CDs (he released an album in general a year and a few EP), Canada does not stop it and it makes us understand with this "20 Odd Years", the first album of a new decade in which Buck 65 does not seem to rest on its laurels.
The album will be available in vinyl, CD and digital. More packages (without interest) are offered with a baseball signed (Buck is a former pro player) and other goodies like that ...
is the last time that I ponds on a small text Fowatile, the new sensation hip-hop-electro-dub now. Four boys, including an MC and three musicians. The group is somewhat unusual in that no sample is used: each role.
David on keyboards, Greg on drums electronic Benjamin triturated maliciously sounds in every direction, and finally MC Elby Dillinger. The most impressive in the group seems to be quite breathtaking live performances apparently. Each plays his instrument, and Benjamin fun then apply different effects on the sounds, thus playing almost every time different songs.
Oscillating between energetic music, and sound dub calmer, Fowatile differs at least by several of these aspects. Personally I did not appreciate at all, but the general atmosphere at least deserves a good listen. Before seeing the band perform live.
Below is a little teaser that gives a good mind anyway!
I left Mike Skinner aka The Streets on his previous album "Everything IS Borrowed "in 2008. Although criticized for its lack of depth, as for me I had quite enjoyed the benefit of the MC English, but it reaches the heights of the first "Original Pirate Material". There are however small jewelry pieces such as "I Love You More" and "On The Flip Of A Coin".
one thing left now is Certainly, this next "Computers & Blues" is the last of the series, at least under the name The Streets. Suffice to say that the expectations created by this future wafer is more than great; columnists are ready to draw their feathers if the acid level is not raised after the relative disappointment of "Everything Is Borrowed .
And unfortunately, in my case, I am far from being filled by the first title in play here, "Going Through Hell." I hope with all my heart that this single selected to ensure the promotion of the album is not representative. For listening also boring choruses throughout the length of a disc may quickly readjust it deep in my stack of CDs.
Mike Skinner about himself does not change the old ways, hammering the flow so special that has ensured his ascension. Well, in the meantime, I cross my fingers that The Streets series ends this album in style. Mike ... please do
To celebrate the new year as the famous Planet Mu label released a compilation at the end of the month. Attention, it includes of course not all artists on the label (which must be about 125), but only those who have had a news item in 2010.
And we lucky that we are small, will be entitled to four exclusive unreleased tracks, which can already pre-listen on the label website. These pieces are signed by Oriol with "Solar," Solar Bears on "To Be With Her," the whirring Boxcutter "featuring Brian Greene for a" Ufonik " and finally Zygaldo Rudi, who signs the super song "Hooray for Captain Balding, not least of which is strange ...
Aside from some extra-terrestrial cited above, there are some figures from the label, FaltyDL, Ceephax or Floating Points. I'm in listening to these songs, and compilation has the merit of being relatively homogeneous, while leaving room for obsessive musical tendencies of each.
In any case, the opportunity to be a pretty panel of the label, staggered over the year 2010. To consume without moderation.
Basically, it's a Cut Copy dude, Dan Whitford, who has made a simple solo EP. Then it became a group of three musicians who offer their music through a mixture damn good pop, new wave and electronic music. Their first two albums were a lot of noise, and the band quickly managed to create a reputation and a good fanbase.
Highly anticipated, this third album is, according to the group, what they have achieved far more successful. The disc artwork is superb, made by Japanese Tsunehisa Kimura: the vision of a New York waters engulfed not prefigure the guideline of the disc and the tour that will ensue (which is already filled almost everywhere).
The disc will be available from us on February 7, signed on label Modular. In the meantime, I leave you with "Where I'm Going," first single was revealed some time ago already.
Rajko Müller aka Isolated left an indelible mark on electronic music when his first album was released in 2000, "Rest," a kind of musical UFO, turns a bit so far as he was in the field by providing a copy to the production house, the original keys twirling on what some called microhouse. Isolated deliver one layer in 2005 by offering "We Are Monster," a second album in the tradition of his predecessor.
Over five years later, the German is preparing to release third album, "Youth Well Spent," on the label Pampa Records (label of DJ Koze). I'm not going to lie, I have not had the opportunity to put your ear on this cake. In contrast, what I hear, the album seems to disappoint many of his fans.
After a long absence (with some excellent EPs), is expected to Detached turning. Now it seems that the producer is closed in on itself, or rather it is his music that has closed in on itself, which has become too wise, too contemplative. The album always seems to enjoy flawless execution, but there would that little touch of madness which adorned his previous productions.
note, the album is not necessarily bad, it is simply not up to what these six years of near silence allowed for hope. We'll know more in a few days.
Anyway's discography is very Detached good, I encourage everyone to listen to old songs, especially the two aforementioned albums and maxi "The Fantastic Researches Of Yushin Maru."
Both say immediately, I'm not quite sure about the information on the release date. Indeed, this EP was planned, rejected, and re-announced for January 17. I'm not even sure it's called "Sunrise." But that seems the most logical.
short, these past few vaguely ethical considerations, let us on the artist: DJ, producer, remixer English. Jozif is part of a sort of new wave is in town and is expected to hurt clubbers.
Instigator of music ranging from electro hardline and more abstract electronica, we lay Jozif music often glossed and "textured" quite captivating if not charming. Production wraps you the time of a song, you're lulled like the first day on melodies that take their time to grow and form a coherent whole. We go from minimalism to draft a more complete expression of a time piece, you swallow your saliva as you bite your lips, torn between emotion keyboards, violins, and the charisma of a web mail busty omnipresent.
Jozif manages to slip me this strange feeling of almost remastered sound, out of another era and then revived in the day. 2011 should be his year. In any case, the Parisian clubs have understood, with some dates not to be missed for his passage to France.
Throughout his career, Tim Hecker has enriched his music. Substantive work for the search of his ultimate. Here there is no question of making people dance or sing an air shower. Hecker creates an ambience that is both simple and complex texture that polishes since its inception to deliver a music "ambient" intelligent and accomplished.
After his debut under the name tokens, at which Tim Hecker Laid launched long minimal techno, a misdemeanor with a sound almost post-rock album with his "Haunt Me, Haunt Me Do It Again", where he introduced instruments new to his music, different collaborations for dance performances and contemporary art sound installations, Tim Hecker has become one of the most emblematic figures of ambient music.
February 14 release their new album entitled "Ravedeath, 1972" on Kranky records. A new stage in his musical journey that will take us back to other horizons, head in the cotton, dreamy thoughts and wings in the back.
Calgary to Montreal, the four insolent Braids have succeeded as an epic musical geographically. Braids is already part of those groups which will be discussed a lot in 2011. The first single, "Lemonade", has meanwhile already toured the world web more than once.
Would I feel the hands of the beginning of the year? We must admit that first impressions are more than satisfactory. I limit myself to some music and MySpace. But the universe is then suspended in an electronic cocoon mixed with many influences. Braids flirts with several styles conventional, without departing from the rank of pop music to folk, jazz, rock and smashed bits of string.
The result appears to be homogeneous. Enough air, detached. First, it is the singer and guitarist Raphael Standell-Preston show off, dominating the debate and bringing the group on a cloud. Probably thanks to this voice perched like a Björk, slightly less exuberant. The album
Native Speaker has taken two years to prepare for lay seven tracks (which is rather disappointing, but good). It is now very close to being launched, and apparently will be quite different, sometimes minimalist, sometimes repetitive and hypnotic. Bet it will be original and a beauty that seems already evident.
To start 2011, and set aside the nostalgia of the year just ended , Adikt offers a selection of music has nothing to do with 2010. This is our way of wishing you a happy new year music, full of surprises, warmth, emotion and spirit. Here is a compilation of songs that never die; few titles attached to our ears as we listened loop, sometimes neglecting the hundreds of novelties from the previous year. Music timeless and inevitable.
Jigsaw Soul - Cockroach Hotel
It made me listen to the music that was like a small revelation. A singer, a magnificent voice, removed, as timeless. The slow climbing is superb, the clip majestic. The images seem to emerge from a bygone era, I was torn between wonder and melancholy melody on this child, quiet, gentle. Damn, I will lose my life, what kind of title. Small information excluded: the singer plans an album in 2011, with a beatmaker.
Gnarls Barkley - Who's Gonna Save My Soul
Here is a name that will speak to everyone. But frankly, who listened to the album by Gnarls Barkley from start to finish? Personally, I am incapable and I assume. Past few titles bling-bling somewhat easy, not my cam frankly, you come across a gem, perfectly cut. Music blinds you with its 1000 facets. Gnarls Barkley released a title, huge, breathtaking beauty. Magical.
Al & Duke - The lions live in the bush
lions live in the bush, track number 3 "Operation Freestyle Cut Killer. Ten years later and I still remember it. Al & Duke synthesizes the golden age of French rap. Rap real and authentic, the that made us love the sound at the base of everything here at Adikt!
Townes van Zandt - Waitin around to die
Rarely in my life, I heard music as emotional. As long as you understand English, we walk hand in a bag on his back, waiting to cross at the death of a detour road, road. Townes Van Zandt, his golden voice, his charisma giant, is also a musical genius. And this old man, crying while listening to singing. I shudder. In a transcendent beauty.
13 & God - Perfect Speed
Huge blow to the heart. Subjectively, 13 & God is the best collaboration Doseone (with Marcus Archer), signed best record on Anticon. In billions of light years away from what he was doing at the time. An ultimate blend of pop, electro and hip-hop that touched the stars ... and the button again.
Blaze Foley - Clay Pigeons
Like Townes Van Zandt, Blaze Foley manages to convey a great deal of emotion, a touch of poetry, a hint of intoxication, through titles like Clay Pigeons. The singer-songwriter, pending his beard, his hat cowboy and his piercing eyes, oscillates between blues and country music of the coolest ways.
Todor & Petru What slap! Internship project of 5 students at Gobelins on his "Judgement Day" by The Thunderclaps. One of the best clips that I had the opportunity to see. The image kills, animations are terrible, and his beats. Only negative point: it is much too short!
John Surman - Edges of Illusion
Icon modernization, John Surman is one of the few to have started in music by the sax and clarinet, then s' be gradually turned to synthesizers. As such, "Edges of Illusion" is a perfect example of grace, the agreement between instruments and machines of the devil. John Surman blends and extra ordinary reality and the unthinkable, background music mystical stressful and enveloping. Over 10 minutes of wandering state. Here's what awaits you.
Creedence Clearwater Revival - I Put a Spell on You
Here is another gem Music, a monumental slap technique, a skyscraper that t 'hard ears, you plant a dagger in the heart emotionally. Rare are the times that I like, but it is an example to follow. A magnificent cathedral, an edifice erected to the glory of madness. Incomparable.
